Stone Rage is a prehistoric indie game, that has a lot of aspects that I should've included in my work.
http://www.stoneragegame.com/
There are YouTube videos showing the scenery of the place.
Monday, 6 June 2016
Project Proposal sheet.
The audience for this game would be more or less 12+ due to a bit of violence but a cartoonish nature to it.
More sources:
http://10steps.sg/tutorials/photoshop/a-realistic-water-reflections-photoshop-tutorial/
The tutorial where I tested out some water effects ect, and took the pictures from.
https://www.artstation.com/artist/alberto_vangelista
An artstaion of one of the artist reasearched
Tuesday, 24 May 2016
Evaluation
FMP Prehistoric Scenery, Evaluation:
My project theme is Prehistoric Scenery, which was developed
by thinking of an Anubis, and developing it as it’s partly what I did for my
last project. I have developed my ideas by making a mood board and pushing myself
to not keep the image the same, always looking for improvements. My development
started as a form of just ideas, making something new in each developing idea,
but keeping one main aspect. Which in this case, is the tree, as each idea was
being developed; a small aspect of each was being put into the final design. As
the water flowing and the rock on the first idea to the “world cut in half”
feature that it looks like on the second, more developed idea.
More development was made on the final project with the trees
and the rock being first made as a 2’d flat brush over it. As I got a little
bit of help and developed my drawing with little tweaks, I was then told how to
make an easy circle with it, shaded, I then used the liquify tool to move and
sculpt the object in Photoshop. After
sculpting the objects, I began to move them into place and merge them
into the work itself. After that I had to change around the water testing out
different types of water, making sure it looked as it was supposed to, getting
tips and tricks from my tutor.
A few reference images were found. But more so in real life
as a tutor sent me pictures of a lake near them. That helped to give me a light
understanding of what I was going to do. References from a person called Jeff
Le Bars who really helped me out, they gave me a few ideas and a great art
style, they really helped me develop my idea with their simplistic but
effective and great art. The water pictures were extremely helpful as it made
me look at my work differently and helped me progress with the picture as a
whole. This affected my project by making me change my work for the better and
inspiring me to improve and develop my drawing with a few different ideas and
small tweaks to my work and way I do things. By testing GIFs ect I could easily
make my own from now on, maybe make full animations overtime with (hopefully)
some help from a professional as I did get a bit of help from a professional for
my Maya work and a bit of Photoshop.
The only artists that really stood out to me, are the tutor’s
that I am lucky to have and the Jeff Le Bars, who has a very clean and
interesting style, even if it’s animation it really does help with seeing how
to draw things ect. All of the inspiring artists that I had mentioned use
traditional, Photoshop and 3D softwares respectively. I only used colours and
brushes with the technique of following the lines without going different ways
unless it’s a layer over to make detail or is to create a pattern. I also used
a technique of making a circle and liquefying it, which helped me a bunch. This
really influenced my end design as it made sure that the grass ect wasn’t
everywhere and had odd sticking up bits out of nowhere.
As I started out my idea was just a simple small rock with a
tree that was extremely bad, but as these computer crash a lot some of my work
from that has gone but I did redo, making a little bit of a better start. This
ended up being my first design idea, and then I developed that into a slightly
more developed idea. After everyone did the peer assessment they gave me ideas
to make the clouds better and soon develop it into what it is now. I wish I did
more research into even more artists, but not liking that much art lead me to
just research into a few, but the artists I have seen most have been very good,
style wise I’m not a fan, and that’s what I search for.
I wanted to convey the prehistoric feeling across, or at
least partly pre-historic, having the bones pretty close to land as if they
recently died 100-200 years ago. I feel as I did get the meaning out pretty
well, because of the preserved grass, tree’s and rocks, as well as untouched
soil (Which might not be as obvious) as this was supposed to be when dinosaurs
were there/dead for a couple years.
I am relatively happy with my final piece as I made it, I
figured it was good, for art made by me, my other art doesn’t compare to what I
had done. I’m proud of my rock, as it had the biggest development process and
the development that was told by my peers and a bit of researched showed
development of how they improved by the start to the finish by testing out
different, more difficult or easier ideas to make their work better, testing
out different ideas, making improvements and overlooking what they have done,
then trying to develop more and more.
I would change my idea all together. Not because I don’t like
it or anything, generally because I’d have more fun designing a character. But
that’s how I think, changing my mind on what I want to do, unless I’m set on
something as I was with this project.
But I want to do more, doing a character, a biker etc. Would be so fun to just
relax and sketch out many different designs, I could maybe get 100 in a week if
I was given no time limit, and did it when I felt like it.
I learned how to make different objects out of a circle, how
to use Unreal engine and would like to use it more in the future. I also
learned how to create grass, make more realistic looking trees and develop a
bunch on my small knowledge on how to make waterfalls and water. Which judging
by how it turned out, I did a great job for a first time drawing waterfalls etc.
I think this is important to get layouts correct, to create a
scenery for the world that is going to be created in the game, it gives
everyone a base to build from. When you have something to build from it can
expand, become a world on a game, or even the whole game together.
I did give this assignment my best effort, up to a standard
of what I could and couldn’t do. As I had a few trips to the hospital I say I
did try my best with the time I had, but I should’ve spent more time at home
doing things for this project as I made it too hard on myself.
I feel as I made my ideas very decently, making sure that
there was one distinct asset in each idea and final design, as you would be
told to make something with a certain asset in or to have a certain theme,
genre etc. to the world around it.
The mistakes I made were that I didn’t use my time too productively.
I spent a lot of time trying to do one thing (The rock) that wasn’t working out
too well, so I hadn’t progressed too much. After figuring out about the circle
technique I really enjoyed making the rock again it definitely turned out
better than its original design.
I would have made a better plan, having a reminder on my
phone or something like that to remind me of what I’m doing that day/week until
I have everything done. I should’ve set a limit every day of what I should have
completed, that would’ve helped a lot.
The most helpful activity in the class was the one on Unreal,
helping me get into new software that I enjoyed testing in as it seemed a lot
simpler, easier and more professional than any other programs I’ve used for
game design.
I had not used the circle technique before, not knowing you
could even do that to begin with, making life a bit easier. This could be used
in most if not all of my work from now on for how easy and good looking this is
to creatue.
I had very few problems in my work, but one main problem was
that the computers are a little slow; the brush would take time to get to where
it would normally be as I would create my own brushes that might have been more
complicated for the computers (Somehow). I fixed this by simplifying the
brushes and making sure that the computer I was using could handle it by
testing it out on a different file so I didn’t do anything I’d regret.
I had one other problem that was the water I was trying to
create never looked right, the patterns, the techniques I used just weren’t
working. I made a gif of one of my water experiments that didn’t work very well
for my project, so I had a little help to make the water that is on there now.
It does look a whole lot better.
(Words: 1,559)
Monday, 23 May 2016
New water/Final piece.
After adding new effects and making sure that I had made the water as correctly as I can I improved the water and it took a while to try and get it right, with a little bit of help on the side. But nothing on my actual work.
Developing the tree and rock
I had made the tree and rock not very well to begin with, so I had a little help with it. I made a ball with shading and then pulled it out with the liquify tool to make different objects. That is what I did to the trees as well as the rock. I used colour correction and changing the hue to make the colour look as it does as it makes for a better effect.
Monday, 16 May 2016
Start to finish
At the start my first initial idea was
and it has become a lot better than this since the beginning.
After a couple of different attempts that is what I ended up with, the water going through a few minor changes and a few tests to get a better look on the water itself, having changed not just that the clouds were bad and also the cave was very amateurish.
You can tell from the assets of the first idea.
I should have named the layers, but that would take a bit too long and when I drew the items sometimes it was just shading so I could move things and change it easier.
Artist Reply
Having an artists email to be able to reach out and ask them questions is helpful, I did email a favourite artist of mine. He does animations and told me about how he started.
Jeff Le bars he has a website of his own with an amazing showreel at his own website jefflebars.com/ .
After making contact with him he told me about the programs he used and how he started off.
I started the conversation by sending an email to him, this was when I was 17 and I'm not anymore,
He responded saying that he used paper to start with, sculpting and animating traditionally, he said the
programs he uses,
"Photoshop, 3DsMax, TVPaint, After Effects and Premiere respectively for : backgrounds, characters,
traditional animation, compositing and editing." He also said that he used a Wacom tablet. Which is the
same of the one I bought at home.
He went on to explain that it takes a very long time to traditionally animate and it's a lot faster on the
computer. He went on to explain that "Photoshop is good for making backgrounds or assets for After Effects
animation".
Then he explained that he uses TVPaint and that he's happy with it, which is what I want to now look into,
if you see the quality of his work, it's very very good, I recommend looking at his showreel.
Jeff Le bars he has a website of his own with an amazing showreel at his own website jefflebars.com/ .
After making contact with him he told me about the programs he used and how he started off.
I started the conversation by sending an email to him, this was when I was 17 and I'm not anymore,
He responded saying that he used paper to start with, sculpting and animating traditionally, he said the
programs he uses,
"Photoshop, 3DsMax, TVPaint, After Effects and Premiere respectively for : backgrounds, characters,
traditional animation, compositing and editing." He also said that he used a Wacom tablet. Which is the
same of the one I bought at home.
He went on to explain that it takes a very long time to traditionally animate and it's a lot faster on the
computer. He went on to explain that "Photoshop is good for making backgrounds or assets for After Effects
animation".
Then he explained that he uses TVPaint and that he's happy with it, which is what I want to now look into,
if you see the quality of his work, it's very very good, I recommend looking at his showreel.
Proof of the conversation. I'd rather not show the emails themselves because of privacy. But he did say that
I could show the college the conversation, but I'd rather not just show the emails sent to me.
(3rd artist)
Wednesday, 11 May 2016
Water testing and animation.
Water testing was just me messing around with brushes to try and get the right water for my project.
Using a couple of different techniques I ended up making a brush and using it to make this water like gif.
The brush I used was one with lines in and circles which made the light blue parts as the circles were overlapping. I used a bunch of different colours at first started looking like this.
Then I added a colour correction and changing the hue to get what I have here.
I then used "Transform" in the edit menu to find perspective and played around with that till I had a nice view of what water should look like, I made the gif by just using the frame animation like I did a while ago on my old project.
This is the finished water texture for my piece but I did do more experiments.
Which are here but they didn't turn out too well:
except for this one:
Then I got a few which weren't so good.
As these were all tests I would rather show my development to what my work is today then leave this in the files.
Thursday, 5 May 2016
Final design and improvements
As I experimented with brushes ect, I had a little help making changes to the clouds and refining the tree's. After doing this I can only now think to change the water, make it more realistic as well as the ground, looking up pictures and reference images to help me along the way.

In my personal opinion water is very difficult to even try and create, making a waterfall was a lot easier with a reference image, so making the water itself should be just as easy, right? Well not exactly... Trying to make the water is very difficult not knowing where to start. After having a small idea to restart the water maybe I could just try it out first on a blank page. As then I could probably copy the image almost exactly. Therefore making it easier to draw the water myself. As I could also change the underground a little. It would help to create the underground by making a small layer after the grass, darker than the rest.
Monday, 25 April 2016
Testing out Unreal editor.
I have made a small "Office" that was a little project to make on the Unreal editor. I made mine a little off. Adding an odd background as if it was a sandstorm in the background that actually is animated like the clouds it starts you with.
On this image the floor is chrome and I added a little too much gold, but it was just testing the textures. The reflection on the chrome seems really good if it's on something else. Like a car or maybe a chain ect. All of the objects in this scene were taken from a Maya file that we were told to use. It was a little easy to transfer from Maya to Unreal, just by exporting the selection as an "FBX export" which then could just be imported to Unreal, tweaked and sorted into folders to make everything easier to access and control. There wasn't many problems with this software, except for maybe lag which was caused by the computer and nothing I could control except for changing the graphics down, and up for taking a high resolution screenshot. Which is what I did here. Making the scene look a lot better. In the little fort thing made of tables and two golden doors there is 12 generators because I was enjoying messing with the copy and paste tool, as it was really easy, just hold alt while moving the object.
Tuesday, 19 April 2016
Monday, 18 April 2016
Testing brushes
To start this small testing page I used just triangles to make the background.
This process started as I was looking for something to help me create the waterfall as I was struggling deeply. I tried many different brushes and went through a bunch of different options, but this one being the most interesting, I decided to show, the simplistic pattern gives it a certain vibe that makes it actually not look bad,
As the little art piece is used to test the brushes, I tested this brush by covering the whole page, seeing how it would look and how I would implement it on different objects and signs ect.
This particular brush, I saved as this could be used on a pattern, as a border and maybe even as a far away sign, giving the illusion of it saying something that you cannot read. I feel as this brush has the right amount of randomness and looks to actually be used.
This process started as I was looking for something to help me create the waterfall as I was struggling deeply. I tried many different brushes and went through a bunch of different options, but this one being the most interesting, I decided to show, the simplistic pattern gives it a certain vibe that makes it actually not look bad,
As the little art piece is used to test the brushes, I tested this brush by covering the whole page, seeing how it would look and how I would implement it on different objects and signs ect.
This particular brush, I saved as this could be used on a pattern, as a border and maybe even as a far away sign, giving the illusion of it saying something that you cannot read. I feel as this brush has the right amount of randomness and looks to actually be used.
I actually created this background as a test itself and thought it would be suitable to test out other brushes. This means that I will probably have this up a lot, so I could have my own little testing board that I could then even post to the blog to see what brushes that I made and used.
This was me using the background to test out some brushes. I was testing these by changing certain preferences and mostly using dual brush as it seemed to make the brushes look and feel a little better to use for different situations in Photoshop maybe even other drawing programs if I can transfer brushes.
Wednesday, 13 April 2016
Photoshop comp
An extremely silly Photoshop piece where I used http://eu2.flamingtext.com/ To make the words and cows from just searching "cow" on Google. I would send the link but as almost everything is blocked, it doesn't matter.
I made this game a couple years ago on scratch here: https://scratch.mit.edu/projects/20517317/
Wednesday, 23 March 2016
Pinterest link
https://uk.pinterest.com/cgouldney/prehistoric-scenery/
I used this website to pin all of my inspiration.
I used this website to pin all of my inspiration.
Project plan!
Project plan:
Week 1:
Get some ideas out for the project, mind map and such.
Week 2:
Start a design and pick an idea from the mood board or mind
map.
Week 3:
Experimenting with different brushes in Photoshop.
Week 4:
Make a quick idea with the brushes and experiment with the
texture.
Week 5:
Finish a couple of ideas and make start on practicing
animation.
Holiday Week 6:
Start an animation that is more relevant to the scenery
Holiday Week 7:
Finish the animation.
Week 8:
Start making parts of the scenery starting with one small
bit at the start but use a bunch of detail on one bit.
Week 9:
Expand the scenery and make sure that the tiny bit that I
started or finished last week as I’m trying to get it as detailed as possible.
Week 10:
Start on making a different asset and make sure that it’s
detailed enough.
Week 11:
Look back on what I have created so far and either carry on
or use what I have got so far, making sure that you have enough detail.
Week 12:
Try to add animation to the work so far, if not add more to
it bit by bit.
Week 13:
Use what has been given as feedback and expand on what I
have.
Week 14:
Tuesday, 22 March 2016
Animated gif attempt
This was a test to try out animating in Photoshop, seeing how long it takes really makes me appreciate animators. I have a lot of layers and frames to create this simple animation. This is a test so that I can do something like this in my scenery.
Monday, 21 March 2016
Art development
My art is developing slowly, I made the water more white as that's how the light works after looking at pictures of waterfalls I think if I made the impact on all of the scenery, that would create more of a atmosphere.
Monday, 14 March 2016
Feedback
My feedback, it's sort of helpful as I am half way through my design ideas so this is great to help me out. I will add these things if I go with this desgin.
Wednesday, 9 March 2016
Monday, 7 March 2016
Artist and tutorials
http://wlaban.deviantart.com/art/Eye-Waterfall-257354643
This picture interpretation was made by Wlaban as it shows the waterfall being poured out of an eye which shows us that it's either crying rapidly as a cartoon would in either a happy or a sad state. They have used Photoshop almost definitely to merge 2 picture together which creates this wonderful art piece. I feel as transparancy would play a big part in this, making sure that it's the right transparancy on the eye edge. They also blended the water well into the eye, making it look extremely good, making it look like it's coming out from the eye. As the light of the eye reflects onto whatever is infront of him it looks like the waterfall does too, some editing to create the extreme crying effect. The image wants you to focus on the iris and make your way down to look at the whole thing, to show that it's crying but not just average crying, literally crying a waterfall. I really like the water in the eye, making it look so surreal. This relates to my project with the waterfall aspect, it's very clean and well edited and drawn where needed.
This art was made by Dhruv Chakkamadam 2 years ago. His art
can be found here,
the art in the picture inspires me as it’s a prehistoric scenery with slight fantasy involved. He
has another art piece where there is more fantasy to it.
This image is showing that the place has been left for years, showing mold and moss. The image is showing us that there can be life when there's death. This artist uses Photoshop from what I can find out, their technique must be very careful and slow to pull off. As well as, they have used light to indicate where you are supposed to look and the centre of attention is at the grass for me, the light shining off of them is the thing I see first, then the zombies in the background. The image makes me focus on the zombies and the swat guys as they bring the scene to life without their being any need of action. The thing I like most about this work is the greenery. the fact it's so vibrant and bright means that it stands out so well. This relates to my prehistoric scenery as this has elements of things being left there a long time and lighting effects I could use.
This picture interpretation was made by Wlaban as it shows the waterfall being poured out of an eye which shows us that it's either crying rapidly as a cartoon would in either a happy or a sad state. They have used Photoshop almost definitely to merge 2 picture together which creates this wonderful art piece. I feel as transparancy would play a big part in this, making sure that it's the right transparancy on the eye edge. They also blended the water well into the eye, making it look extremely good, making it look like it's coming out from the eye. As the light of the eye reflects onto whatever is infront of him it looks like the waterfall does too, some editing to create the extreme crying effect. The image wants you to focus on the iris and make your way down to look at the whole thing, to show that it's crying but not just average crying, literally crying a waterfall. I really like the water in the eye, making it look so surreal. This relates to my project with the waterfall aspect, it's very clean and well edited and drawn where needed.

This image is showing that the place has been left for years, showing mold and moss. The image is showing us that there can be life when there's death. This artist uses Photoshop from what I can find out, their technique must be very careful and slow to pull off. As well as, they have used light to indicate where you are supposed to look and the centre of attention is at the grass for me, the light shining off of them is the thing I see first, then the zombies in the background. The image makes me focus on the zombies and the swat guys as they bring the scene to life without their being any need of action. The thing I like most about this work is the greenery. the fact it's so vibrant and bright means that it stands out so well. This relates to my prehistoric scenery as this has elements of things being left there a long time and lighting effects I could use.
Artist interpritation of Dhruv Chakkamadam's work from his artstation.
This
is really top quality art, and I would like to produce a similar outcome, I’m
going to take a lot of time doing this. But as I am not a great artist, this
might not be the outcome, but I will try my best.
This art was found here https://www.artstation.com/artwork/XdDBY
for “Stone Rage”. This also inspired me by the grass and how it’s made, it’s
almost exactly how I’d want my art to be. This was made by Alberto Vangelista (Click for link)
Then I had a little go at an artist interpretation of the student artist Alberto Vangelista. (awesome name by the way.) Alberto Vangelista made a bunch of different pieces like this, making us see that he's really good at this side of art, scenery.
Stone Range.
The art is showing a damp scenery with light on the water. Photoshop was used to make this piece, using a variety of brushes is what it looks like too with steady hand. It looks as they have copied stuff etc like the grass. The brown and orange colours are Analogous so they work really well together also using darkness as a main aspect brings out the highlights on the water which makes it seem as it's a vintage game kind of shooter sort. The meaning of this piece is to show you the swampyness of it all, the dampness of the grass and the spooky surrounding nature of this. The artist would like to focus on the light reflecting off of the grass and the trees as they stand out the most because of the light. I like the grass affect and I'd like to do the same. It relates to my project because it has everything I want to have in mine, except for the mist.
I had a few ideas throughout this. Making sure that they linked with my work in some way as the water and grass are a main part of this.
The first attempt was weak and I only kept parts of it as it wasn't very well executed. I managed to restart and make it better
As I developed I used the stamp tool to get what I ended up with as well as getting rid of the tree as it couldn't have fit while I used the perspective tool.
In my water testing I used this tutorial to test out if it would work on my piece.
http://10steps.sg/tutorials/photoshop/a-realistic-water-reflections-photoshop-tutorial/

I made this trying to copy Aaron from 10Steps.SG, as that's all he is known as and this is how he did it.
Making the ripple in photshop was actually easy in a way by first making a 1000x2000 pixel photoshop document, then by using filter-Noise-Add noise and then maximise it. Like so.
After this I went to Filter - Blur - Guassian Blur and set it to 2 pixels.
Then I went to the layers panel, switching it to channels. Going onto the red layer then going to: Filter - Stylise - Emboss. Setting the angle to 180 and hight at 1
I then did the same with the green layer. Setting the angle to 90 instead.
After doing that I went back to the layers panel and chose "layer from background..."
Then for the new thing I learned from this tutorial. The perspective tool, on Edit - Transform - Perspective and then I moved the corners to about the amount I have done.
After doing this is the easy part. I went to Image > Image size and made it 1000x1000 instead. making it flatten itself.
Then it looks cool, making it a little easier to see what it's going to be like.
I then saved it as a PSD with maximum compatibility.
I'm using the same photo from the tutorial that can be found here http://freestock.ca/france_g86-mont_saintmichel__hdr_p2172.html.
After doing so I placed the photo in a document and used Image - Canvas size and doubling it to make it work.
I then just simply copied and flipped the image to make the reflection.
After doing so I made a new layer called "water". On that layer I filled the bottom half of the layer with the colour of the water. I then linked the layers together by right clicking after selecting them. (Which I also didn't know.) I then gave the reflection layer a mask, drawing a gradient from the horizon fading into the colour of the water.
I then clicked on the reflection thumbnail and went to Filter - Blur - Motion Blur and made the angle -90 degrees and the distance staying at 10. Giving the water a good effect.
Now for the final touches I made a horizon layer and put a narrow section along the horizon. I then went to Edit - Fill and chose to fill it with black.
I then deselected it and used the Blur - Guassian blur tool at 20 pixels to make it less visible.
As the tutorial says I then changed the layer's blending mode to soft light and it's opacity down to 80.
After this I added hue and saturation adjustment level and changed the saturation down to -30 and I set the opacity of the layer down to 30%.
I then added the wave ripples by going onto the reflection layer Filter - Distort - Displace (The tutorial has it wrong for this version) and set the horizontal scale to 30 and the vertical to 60. Also pressing stretch to fit so that it looks fine.
Finished outcome:
For my second tutorial I used http://muhammadriza.deviantart.com/art/Sky-And-Clouds-Tutorial-362420050
I stared by downloading the brush in the description to help paint the clouds.
I started by making a 1280 x 1024 canvas which is suitable according to the tutorial.
I then used the gradient tool to make a blue and white background.
I changed the background to a darker one to make it different to everything I've already made but giving me options in the future.
By using filter - render - clouds and then difference clouds it gives a nice effect. A lightning effect that could be used as a sky for my FMP.
The lighting effect is easy to pull off and I can use that pretty easily with any of my work. By using the ctrl F and pressing it 5-6 times (when it looks more blue) like so.
Then changing the mode of the layer to "color dodge" makes it look ass mine does here.
Tutorial here: http://www.tutorialwiz.com/grass_texture
For grass I started a new document and made a new layer as usual, I filled it with #4E3E1F like the tutorial states.
After that I made another layer and filled it with white, applying a noise filter to the layer. Amount being 400, distribution being Gaussian and monochromatic being checked. I then applied the Gaussian blur and set it to 0.7 radius.
After doing so I made sure the layer that was white has it's mode as Multiply.
I then made a new layer and did the same thing again but without putting the "multiply" in this layer.
Then I create a green layer (I used #1D561D as the tutorial did too) over it, my layers were looking like this.
Then I changed the green layer's mode to multiply. Making it look like this, getting closer to the grass I was close to getting to.
After that I merged layer 3 and layer 2. I then went to filter - stylize - wind and used stagger with from the left also on.
I then rotated the image 90CW and did the same exact thing with the wind.
I then rotated the image back and then it looked a lot more like grass.

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